Museum creation begins with a museum plan, created via a museum planning process. The process includes identifying the museum’s imaginative and prescient and the sources, group and experiences wanted to comprehend this imaginative and prescient. A feasibility research, analysis of comparable amenities, and an interpretive plan are all developed as part of the museum planning process. One of those naturalists and collectors was Ulisse Aldrovandi, whose assortment policy of gathering as many objects and information about them was “encyclopedic” in nature, harking again to that of Pliny, the Roman thinker and naturalist. The idea was to consume and gather as much knowledge as possible, to place everything they collected and everything they knew in these displays. In time, nonetheless, museum philosophy would change and the encyclopedic nature of data that was so loved by Aldrovandi and his cohorts would be dismissed as nicely as “the museums that contained this data”.
Much care, expertise, and expense is invested in preservation efforts to retard decomposition in growing older paperwork, artifacts, artworks, and buildings. As historian Steven Conn writes, “To see the thing itself, with one’s personal eyes and in a public place, surrounded by other individuals having some model of the same …
